Syntactical analysis is considered an important step in grasping the aesthetic value of poetry. Thus in the present paper, the most commonly used sentence in Hafiz—vocative sentences (nedā)—are analyzed. These sentences show great variety in Hafiz, both from a formal standpoint and a thematic one. This variety in syntactical structure of vocative sentence, is one of the affective ellements in figuration of Hafiz’s poetry’s aesthatic. For the present study all 484 ghazals anthologized in Hūshing Ebtehāj’s Hafiz beh Ravāyat-e Sāyeh (2011) have been analyzed. Some of the results of the present study include information about Hafiz’s original audience, and the relationship between these exclamations and topics such as balance in lines and ghazals, apostrophe and poetic imagery. Each topic is explained with several instances from the ghazals. The findings of Persian grammarians as well as Western critics have been used in the present study.