Bijan Jalali was one of the first poets to turn to prose poetry in simple language from the beginning, and his choice was not due to the development of modern poetry in Iran, especially Nima, but due to his presence in France and the influence of European literature. Jalali’ s poetry neither is half-hearted nor has the characteristics of white poetry, and in a sense it can be considered as a mediator between poetry and prose or white poetry or prose poetry. The kind of glorious expression in simplification and shorthand is a reflection of his life that has been internalized in the poet, so it is not acquired or artificial. After the forties and fifties, and the decline of symbolic and ideological expression, new poets, especially the new generation, have turned to glorious poetry. The point that has been neglected in introduction and review of Bijan Jalali's poems in the shadow of his simplification is his romances. At a glance, it seems that the poet has a tendency towards nature and mysticism, and the mentality of single life but his love poems have been ignored. The love we are talking about here is different from the love of nature and God and animals. Specifically, we are talking about earthly love and women, which has been addressed directly and indirectly in various collections. After studying Jalali's poems, the frequency of romances in different periods of his life is so great that makes it possible to publish a book solely on a selection of his romance poems.

Ali Dashti (1273-1360) is one of the distinguished writers who upon publishing the notes ”Ayyam Mahbas” in 1301 joined the simple style writing movement in Contemporary Prose. Apart from this work, many other works in variety of genres such as translation, journalism, story, and literary criticism all share this characteristic. However, in his prose, particularly his first works, there are considerable numbers of Arabic terms which apparently deviates his prose from the simplicity in terms of choice of diction.The density of such terms has drawn the attention of critics to an extent which they regard this feature as a great shortcoming in his writing style and even comparing his prose particularly in his articles with that of his contemporaries, they place his prose alongside courtly prose and regard it as a continuation of the same tradition. In this article, the impact of Arabic terms on the simplicity of Dashti’s prose, in particular his critical works is investigated.

BACKGROUND AND OBJECTIVES: The Couplets is a semi-traditional form that was invented by modernists during the constitutional period with the aim of transforming the poetic form and was among the common forms until the Islamic Revolution. n this article, with the aim of analyzing the effect of Couplets in the transformation of classical poetry into new Nimaei poetry, the stylistics of Couplets of prominent poets of this form has been examined on three linguistic, literary and intellectual levels. METHODOLOGY: The collection of article information was done in a library manner and it was written with a descriptive and analytical approach. The analysis of the research has been written by reflecting on the collection of poems of poets who wrote Couplets and then turned to new Nimaei poetry or are among the poets of two streams. are cited among others. The poems of Nima Yoshij, Nader Naderpour, Fereydon Tavallali, Forough Farrokhzad and Fereydon Moshiri. FINDINGS: The Couplets form was started by the modernists as a reason for the transformation of traditionalism in the constitutional period. The analysis of Couplets after them shows that the fields of evolution of classical poetry that reached the theory of new poetry have also passed through this form. Most of the poets of new poetry, including Nima himself, have used this form at the beginning of a poem and by leaving it aside, they wrote new poetry. Abandoning classical rhyming, avoiding language problems and using difficult words, shortening sentences, paying attention to the audience and observing grammatical principles at the linguistic level, objective imagery, the use of modern elements in poetic images and images free of problems at the literary level, logical communication Language and content, realism in the content, matching the content with the issues of the society in the social and romantic theme at the intellectual level are the features of Couplets simplistic writing that has created the grounds for the transformation of classical poetry into new Nimaei poetry. CONCLUSION: The Couplets form, which was started by the modernists during the constitutional period, is a form that has the features of simplification, the development of the simplicity of rhyme, language, images, the development of the lyrical and social content of the new Nimaei poetry.

BACKGROUND AND OBJECTIVES: Although simple writing is more or less seen in most periods of Persian poetry, it is a dominant trend in the contemporary period. A flow that is more prominent in the formal dimension of language and this simply leads to the transfer of the content of the poem. The purpose of this research is to investigate the stylistics of simple writing in the poems of Bijan Jalali, Omran Salahi and Shams Langroudi. METHODOLOGY: The method of this research is analytical and descriptive based on library study, and the statistical population is the poets" poems. FINDINGS: Simplification of features such as simplicity in language, attention to both language and content, short sentences, realism, everyday images, avoiding symbolic themes, paying attention to life and its authenticity, using seemingly insignificant subjects, avoiding fancy literary language and allowing entry All the words have poetry. CONCLUSION: Jalali pays more attention to the content than the language, and the course of his poetry has rarely undergone linguistic and intellectual evolution in half a century. Even though Salahi is a content-oriented poet, he has a clean language that has kept the practice of simple writing from the beginning to the end of his poetry. Although at the beginning Shams wrote poetry under the influence of Shamloui language, he gradually turned to a kind of simplicity in his poetry and continues to move in this direction and create new poetic experiences.

The Qajar era is a special era in terms of printing and publishing illustrated works and the manifestation of images in architecture, drawing, music, painting and gilding. Literature is also a suitable vehicle for this issue,on the other hand, when language is the subject of stylistic discussion, the poet and writer's use of imagination and techniques such as metaphor, simile, and allegory can be compared to painting in words,thus, Talibov is considered an illustrator writer. Talibov Tabrizi is one of the Iranian writers and intellectuals who immigrated to the Caucasus and by writing his literary and political works, made a great contribution to enlightening and distributing new literary and political ideas among Iranians. In his works, while discussing new scientific issues, politics, freedom and law,he points out the need to simplify writing and dispose of previous phrases and problems in prose. The present research has been carried out in a descriptive and analytical way by relying on the data of library sources. The studies presented that at the linguistic level, the word-for-word translation of Turkish terms and phrases into Persian, the use of foreign words with Russian or Turkish pronunciation, the matching of adjectives with adjectives in the context of the Arabic language, the use of the pronoun "he" for non-humans and the useof "to" in the meaning of "for" they have a high frequency in Talibov's works. At the literary level, adaptation and references to verses and poems and use of proverbs to explain the subject are the main features of his works.

Sensor node operating system provides a limited number of common services for developers to construct applications for wireless sensor networks. The sensor network community selected TinyOS as the de facto standard with most existing applications, libraries and device drivers available for TinyOS. The programming model of TinyOS is event-based and is not easy to use. In this paper, we present a new task scheduler for TinyOS that includes a new computation concept, named Job. Jobs are a collaborative and non-preemptive way of multitasking. On the next step, we propose a programming model which combines the asynchronous basis of event-driven systems with a more classical programming interface for the developer. As a result, developer that uses such an interface in his application will be provided with the sequential view we wanted. This programming model is suitable for applications that have long running computations and there is a data flow dependency between different tasks.