This study is an attempt to deal with the critics, made in form of speeches and papers, on the life, thoughts and works left by Sohrab SEPEHRI (1928-1978), the Iranian poet and painter. The study tries to examine and analyze the critical method and literature critics value clear making, critic's health, failure and success of the criticisms made by critics on SEPEHRI, contents of the works by SEPEHRI, treatment with SEPEHRI's works and the likes as of the first time made till 1997 in Farsi literature publications.In the contemporary Farsi poetry extensive speaking has been made on Sohrab SEPEHRI after Nima Yushij. These parses and blames have continued from the time of the poet life till now. Most of the critics have been made on the links between SEPEHRI’s poem and painting, hit attention on the East Philosophy and Gnosticism, naturalism, simple style and sincerity of the poems, non dealing with politics-social issues, abstract concepts, language and style of expression. Among the critics, those dealt with SEPEHRI’s poems and arts on scientific-research viewpoints are handful. Moreover, some viewpoints are imitation and calques from the others’ works. The writers of the present article maintain that the criticisms made by the critics should be criticized aimed at evaluating their correctness.