Spehri is naturalism,poet, painter, and affected by Qoran , Gospel , Buddha . he has mystical thoughts. Some are knowing his without mysticism and some others are saying his Islam mystic and some others  Buddhi mystic. Some are say a combination of this mysticisms. how is that Spehri affected by this characters and  mystical schools and important principles in his mysticism what are noteing in this article. SEPEHRI  has believes there is Pantheism that it is one of the  principles of  Islamic  mysticism. He is believe  that All humans have originated from of the Common source and they are Joining  him at last. He is believe to the Unity of  Religions and he tells all Religions have originated from of the Common principles and they are different in minutiae only.he is Biased nature and say it is Live and he is invited to return to it.

This study is an attempt to deal with the critics, made in form of speeches and papers, on the life, thoughts and works left by Sohrab SEPEHRI (1928-1978), the Iranian poet and painter. The study tries to examine and analyze the critical method and literature critics value clear making, critic's health, failure and success of the criticisms made by critics on SEPEHRI, contents of the works by SEPEHRI, treatment with SEPEHRI's works and the likes as of the first time made till 1997 in Farsi literature publications.In the contemporary Farsi poetry extensive speaking has been made on Sohrab SEPEHRI after Nima Yushij. These parses and blames have continued from the time of the poet life till now. Most of the critics have been made on the links between SEPEHRI’s poem and painting, hit attention on the East Philosophy and Gnosticism, naturalism, simple style and sincerity of the poems, non dealing with politics-social issues, abstract concepts, language and style of expression. Among the critics, those dealt with SEPEHRI’s poems and arts on scientific-research viewpoints are handful. Moreover, some viewpoints are imitation and calques from the others’ works. The writers of the present article maintain that the criticisms made by the critics should be criticized aimed at evaluating their correctness.

The aim of this essay is studying the mystical thoughts of sohrab SEPEHRI the Iranian contemporary poet. In order to find his mystical points of view, first, the poetical works of SEPEHRI was searched, by comparing these views with the ideas of traditional Iranians mystics it is shown that the mystical thoughts of SEPEHRI, being a unique and special kind of mysticism, are completely different with that of the traditional mystics.

In this research, a survey of the sacred symbols of the naturere surrection has been done. The researcher has investigated and analyzed the categories such as the ritual death of plants (being ritually honored,a symbol of human), the season shift (a symbol of the change in human characters), the rebirth of the sun inside the petals of morning glolry flower (the rebirth symbol of man), the metamorphosisin the from of a plant in the oppressed murder of mankind, etc. in the poetical masterpieces of the great Persian poets such as Roodaki, Ferdowsi, Naser Khosro, Khaghani, Nezami, Sana"i, Mowlawi, and Hafez.

From the perspective of narrative struc to study the nature and role of narrative tries and tries to show understanding of the narrative text. Gérard Genette’s narrative is the study of biology at the versions of events as literal representations position is that at the time of order. According to this definition of narrative communication possible between story and narrative text and especially time, money, and Ava will pay. The purpose of this study is based on principal component analysis does narrative poetry of Gerard Genette’s narrative -based resources and analytical - descriptive and preliminary discussions on the importance of the sphere of poetry does the validity and status in the eyes of Gerard Genette French structuralists, generalities about the story and narrative genetic elements described in the paper, it is discussed. text size, reach and impact of the rhythm and lead a relatively high pace of the story telling in mind Neshani will be. The relationship between time - times of repeating a story and narrated the incident to be expression is a single frequency. the distance measurement and reporting of the story and the narrator minor, relatively more detail and information is provided and plan search myths, excuses a way to view, based on how To houses a friend, a chance to manifest. Finally: the sphere of the mind, personality and singer looks more uni narrative of events seems like a way to mount addressed to sing.

Sohrab SEPEHRI and William Wordsworth belong to two different cultures and poetic traditions. In spite of obvious differences, however, the two poets deal with a common theme. The purpose of this paper is to examine this common theme from a comparative point of view. The two poems selected for this comparison are Wordsworth's Tintern Abbey and SEPEHRI's Water's Footsteps. The writer first presents a synopsis of each poem. This is followed by a brief discussion of the language and structure of the two poems. Next the writer presents a thematic comparison of the two poems, claiming that both poems are in fact strongly inspired by pantheistic doctrines. The writer also presents in the appendix a translation of the full text of Tintern Abbey, so that the reader may have a better understanding of the poem.

In line with personification and synesthesia, symbol is a significant characteristic of rhetorical level of Sohrab SEPEHRI’ s style. By means of iteration, some of the symbols have been converted to an important and remarkable characteristic and are considered as motif. According to stylistical investigations, words as “ water, light and illumination, loneliness, void, nothing, lotus flower, apple, anemone flower, green and blue color” are symbolic motifs of “ Hasht ketab” . These symbols are extracted from three parts; nature, Zen-buddhism and myth by which freshness and innovation are demonstrated in Sohrab SEPEHRI’ s poem. After defining symbol and motif in this article, symbolic motifs will be investigated by means of descriptive-analytical method, and according to poem’ s contexture, the specific and accurate meaning of them will be expressed in different poems.

In this article, Qeisar Aminpour''s hypothesis about the return of the poets to their childhood is studied in the poems of Sohrab SEPEHRI, one of the greatest contemporary poets.In his book titled “poem and childhood”, Aminpour refers to the comments by John Piagete, the famous psychologist and attempts to demonstrate that poem is a kind of return to the childhood. He explains the steps of awareness in a child and then writes about the most important aspects of behavior and thought in a child. He provides some examples of old and contemporary poets and shows their childish characteristics in their poetry. In this descriptive-analytic research, it is shown that Aminpour''s hypothesis is completely true about Sohrab, and so many aspects of his childhood are visible in his poems.

Concerning about the technological advances in the last decades and human alienation, Sohrab SEPEHRI has a deep viewpoint to the worldwide affairs. His poems reflect the problems and paradoxes in the modern world. While creating symmetry, he is portraying the Past and Present, Terrestrial and Extraterrestrial, in which the superiority is always given to the Past in his perfectionist mind. Sohrab is so awaken and multidimensional that to pursue sublimity he barely needs exaggeration. He surpasses the analytical reasoning clearance to express his message with supreme astonishment. Introversion and peacefulness in the lap of nature is one of the paramount in his poetry which are inspired by mysticism and romanticism in his thoughts which look up to sublimity. Problem: The question is whether Sohrab is looking for the usefulness in his poetry or astonishment? The hypothesis is that he is trying to use complicated images, to create astonishment, sublimity, mental and emotional induction in order to guide himself and his readers to another world and beyond. Significance of the Study is that the multidimensional sublimity in Sohrab is comparable to the ideas in Longinus, Burke and Kant. In other terms, Sohrab is pursuing an endless and non-conformist mystical love with an astonishing depth.

Charles Baudelaire and Sohrab SEPEHRI – French and Iranian poets – are regarded as the most innovative poets in their eras. These two introverted poets were always seeking a Utopia with the aim to find the cosmos truth and reaching the ideal world; thus they have been interested in nature, traveling, mysticism and etc.The present article has surveyed some of the thoughts and concepts of Sepehry poetry which have been similar to Baudelaire’s. Although there are many similarities between SEPEHRI and Baudelaire in the way of seeking a lost paradise, there are some remarkable differences between them as well. The present article has surveyed some of the content similarities and differences of their poems.