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مرکز اطلاعات علمی SID1
مرکز اطلاعات علمی SID
اسکوپوس
مرکز اطلاعات علمی SID
ریسرچگیت
strs
Journal: 

NEGAREH

Issue Info: 
  • Year: 

    2011
  • Volume: 

    6
  • Issue: 

    18
  • Pages: 

    69-81
Measures: 
  • Citations: 

    0
  • Views: 

    1974
  • Downloads: 

    2187
Abstract: 

Iranian painting has had inseparable bond with Persian language AND NATIONAL AND RELIGIOUS THEMES AND an evidence for this claim is presence of valuable painting copies which have been kept as memento in museums of Iran AND the world. Each of these copies has been created based on the highly valuable Persian texts AND NATIONAL AND RELIGIOUS THEMES. Fictive painting as one of the variants of Iranian painting has a tight link to Persian literature AND its THEMES hinge mostly round life events of NATIONAL AND RELIGIOUS heroes. Due to popular origin of fictive painting AND its artists, immediate link with commonpeople, these painters have had particular interest in people, s wishes AND desires. Present research with the purpose of finding reasons for inclination of fictive painters to epical AND hero-centered in written AND verbal literature AND RELIGIOUS THEMES, tries to answer this question whether the tendency to literary, NATIONAL AND RELIGIOUS THEMES in fictive painting is like that of other kinds of Iranian painting or it has other reasons? In this paper, descriptive AND analytic methodology is employed AND the samples used in it have been selected from among the most typical teahouse paintings.

Yearly Impact:

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Author(s): 

Issue Info: 
  • Year: 

    1400
  • Volume: 

    9
  • Issue: 

    2
  • Pages: 

    28-39
Measures: 
  • Citations: 

    1
  • Views: 

    31
  • Downloads: 

    28
Keywords: 
Abstract: 

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Author(s): 

Daneshmandi Farahnaz

Journal: 

OURMAZD JOURNAL

Issue Info: 
  • Year: 

    2021
  • Volume: 

    -
  • Issue: 

    54
  • Pages: 

    175-184
Measures: 
  • Citations: 

    0
  • Views: 

    311
  • Downloads: 

    146
Abstract: 

Sanai is a mystic AND in Sufism mysticism has a prejudice AND affiliation with a particular religion, so that there is no room for suspicion of other religions AND sects, that is, the mystic has no hostile beliefs, so the discussion of religion about mystics AND Sufism is incorrect. Sufi poetry is a means of calming the soul AND psyche of society, it is far from perversions AND inadequacies, AND it can be considered the stage of RELIGIOUS AND behavioral development of society, while educational poetry often targets the individual AND his refinement. Sanai has views on religion, man, social life, AND thousANDs of important epistemological issues.

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گارگاه ها آموزشی
Author(s): 

MOLA EBRAHIMI E.

Issue Info: 
  • Year: 

    2008
  • Volume: 

    -
  • Issue: 

    16
  • Pages: 

    23-38
Measures: 
  • Citations: 

    0
  • Views: 

    142
  • Downloads: 

    65
Abstract: 

Palestine is the cradle of great monotheistic religions AND the intersection of civilizations. That sacred lAND is the tryst of Abraham, the cradle of Virgin Mary, the birthplace of Jesus son of Mary, AND the place where the holy prophet ascended to heaven AND where followers of three monotheistic religions including Muslims, Christians, AND Jews are gathered. Should we have a glance at Palestine’s contemporary poetry, we would see that the RELIGIOUS color has always shadowed that lAND. In their poetry, Palestinian Muslim poets have constantly expounded their thoughts, beliefs, AND perspectives on the world of existence, death, the Beginning, the End, hereafter, AND so forth attempting to mix current events of their country with divine AND sacred aspects. Being inspired by the Divine Speech, they prepare the necessary ground for achieving final victory AND freeing their lAND from claws of occupiers.

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Author(s): 

Vakili Hadi

Issue Info: 
  • Year: 

    2018
  • Volume: 

    18
  • Issue: 

    7 (59)
  • Pages: 

    313-324
Measures: 
  • Citations: 

    0
  • Views: 

    75
  • Downloads: 

    19
Abstract: 

Encyclopedia of new RELIGIOUS movements edited by Peter B. Clarke provides a truly engaging AND authentic view of the emerging RELIGIOUS movements on a background of the universe. This encyclopedia, containing 428 articles from leading academics, studies the remarkable examples of RELIGIOUS movements emerging in each continent. Clarke as an editor has written a higher income as "New Religions as a global phenomenon", a "Resource guide of NRM" AND a useful article entitled "Typology of new religions" in this encyclopedia. This encyclopedia is a leading, research, updating, important, AND valuable reference for academic libraries. However, the encyclopedia suffers from some disadvantages, among which we can refer to apparent contradictions in Index, the incidence of historical errors, print, etc., in its context AND putting NRM identified with the Cults, sects, AND counter-culture groups

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Author(s): 

BIGDELO REZA

Journal: 

NATIONAL STUDIES

Issue Info: 
  • Year: 

    2013
  • Volume: 

    14
  • Issue: 

    2 (54)
  • Pages: 

    0-0
Measures: 
  • Citations: 

    0
  • Views: 

    12426
  • Downloads: 

    9195
Abstract: 

It is said that the mission of art is removing the veil from realities of the life. Poetry AND literature have known as mirror that a minifest many conditions, viewpoint, political, social AND cultural events of communities in every period. Yet, the poetry in the history of Iran has been more prominent compared to other communities. So, the poetry has known as the most important Iranian cultural media. Poets as well as scholars of community play a major role in direction of intellectual AND social aspects of the society. In the sixty AND seventy decades, a range of RELIGIOUS poets emerged, that in comparation with poets of earlier generation, their intellectual foundations AND cultural trends had major differences. This paper wants to examine the field of social advent AND major poetic THEMES of these poets. This research with historical-analytical method AND studying poems of poets such as Mohammadreza Shafiei Kadkani, Nemat Mirzazadeh, Hamid Sabzevari, Mehrdade Avesta, AND Tahereh Saffarzadeh, concluded that appearance of RELIGIOUS movement in Persian poem in mentioned decades has been affected of the overall cultural movements of society. These poems were participant AND affected from social AND cultural leaders of society like Imam Khomeini, Jalal Ale-Ahmad AND Ali Shariati, in awaring the various social groups, at the forefront of the struggle against the pahlavi regime AND effort to prepare the grounds for revolution. Social AND political basic of their poetries were on the major axes such as; opposition AND denial of values AND actions of the privious state, inviting to flight against the Pahlavi regime, having identity concerns AND emphasis on return to the Islamic AND RELIGIOUS roots, emphasis on the RELIGIOUS rules with careing their political dimention AND admiring the character of Imam khomeini as the supreme leader.

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strs
Issue Info: 
  • Year: 

    2019
  • Volume: 

    54 (NEW VOL 10)
  • Issue: 

    4 (40)
  • Pages: 

    21-40
Measures: 
  • Citations: 

    0
  • Views: 

    582
  • Downloads: 

    204
Abstract: 

With the acceptance of the Islamic faith by the Iranians, a huge wave of Islamic AND Semitic beliefs AND myths followed by mystical elements, affects the epic literature of our homelAND. These factors cover a wide range of changes, from structural changes to content changes, to the extent that the change in the ideology of the author of the work affects the storytelling process, the actions AND behavior of the heroes of the story, the interaction between the characters of the story AND even in determining the hero's destiny AND many other issues. By analyzing the effects of the element of religion in Samnameh, that Islamic AND Quranic thoughts AND THEMES in the system are highly frequent, to the extent that the mastership of the epic hero, AND consequently of his companions, are in promoting monotheistic AND, sometimes, explicitly Islamic beliefs AND NATIONAL goals will be prioritized. Also, the THEMES AND mystical AND mystical thinking, in the shadow of the religion of Islam, are also reflected in this work, which has become evident in the sections of Khaju Kermani. In this study, we have decided to examine the main effects of religion in the epic of Samnameh AND from this perspective, in addition to achieving the above-mentioned goals, which are the basis of our research, we endorse the epic of samnameh written in different periods of history.

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Issue Info: 
  • Year: 

    2019
  • Volume: 

    8
  • Issue: 

    16
  • Pages: 

    105-121
Measures: 
  • Citations: 

    0
  • Views: 

    557
  • Downloads: 

    304
Abstract: 

This research compares the common illustrated THEMES in manuscripts from Ilkhanid AND Timurid periods. In general, the THEMES in Iranian painting are divided into seven categories of history, religion, animals, epic, lyrical love, realism, decoration, in which the THEMES of history, religion, animals AND epic have more commons in both periods. In this research, only these four THEMES AND the reasons to consider them will be surveyed. The purpose of this research is to study the goals of illustrating the same THEMES in the manuscripts of the mentioned dynasties. The question of this research is: What are the differences AND similarities between the images in the illustrated manuscripts of the Ilkhani AND Timurid eras? This research is conducted by using descriptive-analytic method. The results of this research indicate that portraiture of historical manuscripts of Ilkhanid era is wider than in Timurid Dynasty due to the declaration of the Mughal commitment to the Iranian heritage. In terms of RELIGIOUS theme in the Ilkhanid period, non-Islamic THEMES, such as Christian, Buddhist, AND Jewish issues, have been used along the Islamic issues, for example, regarding Christian matters, the reason is the presence of Christians in the top government of Ilkhanid. In Timurid era, the presence of non-Islamic issues was paled but Islamic issues, especially the Shi’ I, was highlighted. The third common theme is animals, which seems to be more visible in Timurid era. The reason of this claim is the similar manuscripts of Kalilah wa-Dimna, Ajaib al-Makhlughat by Qazwini AND manuscripts with hunting scenes in two periods, AND also some unifoliate pictures AND Mantiq al-tayr manuscripts in Timurid era. The difference between the mentioned periods regarding using epic theme in illustrated manuscripts almost refers to details. In addition, the boom of this theme is more in Timurid period concerning the more number of illustrated shahnamas. Finally, it can be concluded that similarities between common THEMES in these eras are more than their differences.

Yearly Impact:

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Journal: 

RELIGION & MYSTICISM

Issue Info: 
  • Year: 

    2020
  • Volume: 

    16
  • Issue: 

    63
  • Pages: 

    291-310
Measures: 
  • Citations: 

    0
  • Views: 

    193
  • Downloads: 

    41
Abstract: 

Sufism AND mysticism have played an important role in contemporary revolutions AND literatures throughout the Islamic world. The intellectual AND revolutionary movements of the Sufi sects in Algeria are one of the most influential AND prominent roles of Sufism AND mysticism in this period. The foundation of Taroutar's thought was laid by the influential contemporary writer Al-Jazeera in the mystical AND RELIGIOUS environment. In the present study, we try to refer to the mystical AND RELIGIOUS THEMES in the novel "Allaz", one of the first AND most famous novels of Watar, by research, research-analytical method. With a RELIGIOUS AND mystical reading of Ellaz, the results show that the novel contains estimates that the author uses in simple language that is far from obligatory, using stANDard language, with accurate staging AND partial imagery for understANDing. Deep down the theme of the novel is attempted by the reader. In this novel, traces of mysticism, description, AND religiosity such as the Holy Prophet (PBUH), behavioral pattern, Raja, AND RELIGIOUS proverbs are presented in an artistic way to depict the events AND adventures of the story well for the audience. Be.

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Journal: 

FOREIGN RELATIONS

Issue Info: 
  • Year: 

    2010
  • Volume: 

    2
  • Issue: 

    7
  • Pages: 

    39-71
Measures: 
  • Citations: 

    0
  • Views: 

    1445
  • Downloads: 

    398
Abstract: 

"Globalization", as a Meta concept, can be considered as one of the most common terms in recent decades, which has also come to affect the understANDing of many other concepts. For one, globalization has confronted the realm of religion with many new questions AND given rise to the emergence of different outlooks. Concurrent with the process of globalization AND the development of intercultural AND inter-RELIGIOUS communications, the world has also witnessed the growth of NATIONAList, ethnic AND RELIGIOUS movements coupled with increase in violent conflicts AND civil wars. These new political AND social developments have led in turn to other developments in the interNATIONAL scene. The present article tries to have an analytical look into the possible relationship between globalization AND the re-introduction of religion into political, social, AND interNATIONAL realms on the one hAND AND the emergence of new challenges on the other. The article will raise a major question: will a new challenge between globalization AND religion similar to the challenge between religion AND modernity in 18th AND 19th centuries emerge AND develop? The article’s main hypothesis is that while globalization will facilitate the growth AND expansion of intercultural AND inter-RELIGIOUS communications, it will also foster new challenges within AND among societies.

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