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Information Journal Paper

Title

FIGURES OF SPEECH IN THE POETRY BY FARID (GHADER TAHMASBI)

Author(s)

 BARATI MAHMOOD | NAFELI MARYAM

Pages

  175-198

Abstract

 Figures of speech are substance of poetry and the criteria for evaluating it. The term poetic style of the period of Islamic Revolution and Sacred Defense (the 1980-81 war between Iraq and Iran) is new, about three decades. This labeling is somehow ambiguous; it may be more accurate if we call it the style of Republic, following the style of Constitutionalism. Studying the works of the poets of Revolution and Sacred Defense, such as FARID, can help better know the characteristics of this style. In the present article FARID’s poetry is being studied regarding FIGURES OF SPEECH used in his poem collections of ‘Pari-Setare-ha’ (fairy stars), ‘Pari-Bahane-ha’ (fairy excuses), and ‘Pari-shode-gan’ (turned into fairies). The result is shown in tables and diagrams. His use of Simile, metaphor, irony, and symbolism is remarkable in them. The use of similes here not only serves to concise writing in the field of imagination, it also approaches to identification, and causes some kind of exaggeration in the field of simile.

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    APA: Copy

    BARATI, MAHMOOD, & NAFELI, MARYAM. (2011). FIGURES OF SPEECH IN THE POETRY BY FARID (GHADER TAHMASBI). PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI, -(22), 175-198. SID. https://sid.ir/paper/56148/en

    Vancouver: Copy

    BARATI MAHMOOD, NAFELI MARYAM. FIGURES OF SPEECH IN THE POETRY BY FARID (GHADER TAHMASBI). PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI[Internet]. 2011;-(22):175-198. Available from: https://sid.ir/paper/56148/en

    IEEE: Copy

    MAHMOOD BARATI, and MARYAM NAFELI, “FIGURES OF SPEECH IN THE POETRY BY FARID (GHADER TAHMASBI),” PIZHUHISH-I ZABAN VA ADABIYYAT-I FARSI, vol. -, no. 22, pp. 175–198, 2011, [Online]. Available: https://sid.ir/paper/56148/en

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