Paper Information

Journal:   NEGAREH   spring 2017 , Volume 12 , Number 41 #g00649; Page(s) 17 To 29.
 
Paper: 

Retrieval ofIdentity layers in Qajar Era (Case Study: Ceramics)

 
 
Author(s):  SHIRAZI MAHMONIR, Moosavilar Ashraf
 
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Abstract: 
The concept of identity in art depends on religion, ideology, political and social relations and history. The identity in artwork has various layers and each layer depends on different aspects. So in artworks we can study this identity in different manners and each artwork might have several layers that one of them is stronger and more obvious while the others are hidden. But all these hidden identity layers will influence the artwork’ s obvious identity layer. TheQajarera is one of the prominent periods in Iran, which art has various aspects with regard to social and political matters, archaism and also widespread relations with the west, so we can find several identity layers in this era and its artworks. The questions are:-What are the identity layers in the Qajarera art?-Which identity layers have appeared more than other layers in Qajar ceramics? The results show that there are four identity layers: ancient Iran, Persian Islamic, Imitation of the west and Islamic manner in Qajarera, and in each type of artworks, some layers have more importance. The research method is descriptive-analytical, based on library sources. Statistical population includes 10 examples of ceramics in Qajarera using selective procedure.
 
Keyword(s): QajarEra Art,Identity Layers,Ancient Iran,Persian Islamic,Imitation of the West
 
References: 
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