Paper Information

Journal:   NEGAREH   winter 2018 , Volume 12 , Number 44 #f00630; Page(s) 99 To 111.
 
Paper: 

Interpretation of Image in Works of Agha Mirak the Painter

 
 
Author(s):  Naderloo Mostafa*, Ashouri Mohammad Taghi, Khazaie Mohamad
 
* Tutor in Art University, Tehran, Iran
 
Abstract: 
Studying the characteristics and the sentiment of the artists who have had the main role in creating the Shahnameh of shah Tahmasp is one of the essential issues that could define and clarify the approaches of the expression of the images in this masterpiece of art. The purpose of this study is to introduce and examine the artist Agha Mirak>s perspective, his characteristics, his status and position. This paper, drawing on the writings of the significant contemporaneous authorssuch as AbdiBeykShirazias well as focusing on the works and life of Agha Mirak, attempts to answer the questions regarding the characteristics and beliefs of the artist and the approach toward the narration of images in the Shahnameh. This paper, studies the artist, using the qualitative, monographic, and historical-analytical methods as well as the theories of scholars and the authors of epigraphs based on spiritual thought prevalent at the time. The necessity of this topic is to present and recognize some of the Iranian Islamic artists. The results of the study indicate that the artist, as a treasury of techniques, traditions and artistic memory with a spiritual approach, represents the images of his period. Mirak has a new way to interpret the heritage of painting in his own period; therefore with this method he takes the language of image beyond verbal expression.
 
Keyword(s): Agha Mirak,Shahnameh of Shah Tahmasp,Safavid Era Art,Islamic Era Art
 
References: 
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