Paper Information

Journal:   NAGHSH MAYEH   SEPTEMBER 2014 , Volume 8 , Number 19; Page(s) 19 To 25.
 
Paper: 

RE-IDENTIFICATION OF FAMILY PHOTOS

 
 
Author(s):  NIKBAR MAZYAR, HASANPOUR MOHAMMAD, KEYHANPOOR MOHSEN
 
* 
 
Abstract: 

Photo has a fundamental role in personal and social recollecting memory. Every photograph specially private and family ones telling a story from the past that certainly existed, and now its trace incarnates in the form of the image. From this aspect and sociological view, private and family photographs shows or in other words builds an identification rooted in an audience past, standing in front of him the charmed, aged fascination and fatigue album and paper lost their color, At the same time amidst signs of a photo that might directly does not show him in its context, he follows the traces of his presence. Roland Barthes In his last book "Camera Lucida" concerning the discovery of his "race" amidst several old photos of her mother regained his identification. How to develop an identity in the context of private photographs leads to photo configuration. Moreover the identity construction not only is the sign of audience biological past, but also is relevant and dependent on his present existence. Photographic signs grounded from audience biological past restate the signs that eventually reconstruct the individual's identity and human race for an interested audience, even if they are not directly connected to his world.

 
Keyword(s): ROLAND BARTHES, FAMILY PHOTOGRAPHS, CONSTRUCTION OF PHOTOGRAPHIC IDENTITY, PERSONAL AND SOCIAL MEMORY, TYPOLOGY
 
References: 
  • ندارد
 
  Persian Abstract Yearly Visit 147
 
Latest on Blog
Enter SID Blog