Paper Information

Journal:   NAGHSH MAYEH   SEPTEMBER 2014 , Volume 8 , Number 20; Page(s) 39 To 49.
 
Paper: 

MAHMOUD SABA (MAHMOUD KHAN MALEK-OL SHOARAA SABAYE KASHANI) LEADER IN MODERN PAINTING

 
 
Author(s):  SHAHSAVARANI FARIDEH*
 
* ISLAMIC AZAD UNIVERSITY, TEHRANE JONOUB BRANCH
 
Abstract: 

Mahmoud Saba (Mahmoud Khan Malek-ol Shoara Sabaye Kashani) can be considered the best example and model of modernity in painting in the Qajar era. He neither lost his essence and his roots, nor was saturated in the principles of Western art. Indeed, the pillars of his perspective were innovation and creating new images by mixing Iranian artistic tradition with the principles and rules of European painting. In his precise and photographic paintings of buildings and other scenes of Tehran during the age of Nasseredin Shah, he used his great talent in perspectives and reproduction of the quality of light. His simple and unpretentious works embodies international evolution and reflects his age and time. It is for this reason that his works has both artistic and historic merit. Methodology of this interpretative- analytical research is based on the phenomenology of "Edmund Husserl", and the data brought together from documents, books, art works, and paintings.

 
Keyword(s): MAHMOUD SABA, MODERN PAINTING, EUROPEAN PAINTING, QAJAR ERA
 
References: 
  • ندارد
 
  Persian Abstract Yearly Visit 259
 
Latest on Blog
Enter SID Blog