Paper Information

Journal:   NAGHSH MAYEH   MARCH 2014 , Volume 7 , Number 17; Page(s) 23 To 35.
 
Paper: 

AN APPROACH ON GOL-O-MORGH PAINTING WITH EMPHASIS ON AGHALOTFALI SOORATGAR SHIRAZIE

 
 
Author(s):  HOSEINI MOTLAGH SEYYEDEH MALIHE*
 
* ISLAMIC AZAD UNIVERSITY, SHIRAZ BRANCH
 
Abstract: 

Bird and Flower painting has a long history in person art in a way that brings the iconic motif of Persian culture. Anywhere we all seem to deal with this mysterious art. For a moment, however brief, we deposit our heart and soul into the magic and alchemy of colors. A many all of these arts, bird and flower pattern manifested itself in carpets, niche, celling of houses, decorating interior part of shrines, surrounded verses or verses written by several poets of sight. The history of flower and bird pattern dates back to the creature of Iranian art. It is one of the branches of painting that has a dramatic boom from Timurid era. This type of art gets the peaks during Gajar dynasty. The masters of this art had a long share in the development of flowers and birds painting. They have never forgotten fields associated with the passage of the art. They fallowed great and obscure teachers of Tabriz, Shiraz, Isfahan, Gazvin. Aliashraf fascinated by this type of art during Afshar and Zand dynasties. After Aliashraf, one of the bird and flower painters named Aghasadegh with a taste of fresh gave special credit to the painting school. Manifestations of flower and bird patterns get the peaks in Shiraz during Gajar dynasty. This pattern is indebted to Aghalotfali Soratgar Shirazie. His talent in this field becomes a novel approach for posterity that in this essay we want to find many views of his works.

 
Keyword(s): BIRD AND FLOWER PAINTING, GAJAR PAINTING STYLE, SHIRAZ, AGHALOTFALI SORATGAR SHIRAZIE
 
References: 
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