Paper Information

Journal:   PERSIAN LITERATURE (BAHARESTAN SOKHAN)   WINTER 2014 , Volume 9 , Number 24; Page(s) 63 To 80.
 
Paper: 

THE NARRATIVE COMPILATION OF ILLUSTRATIONS IN SHAHRIAR’S POETRY: “THE FATE OF LOVE”

 
 
Author(s):  SADEGHI NEJAD RAMIN*
 
* IAU, AHAR BRANCH
 
Abstract: 

In addition to familiarity with cinema and its general idioms, Shahriar had a deep understanding of the seventh art which becomes evident by studying the concepts of specialized movie idioms in his poetry. One of the key subjects in the film direction is the harmonic assembly of icons, scenes, characters which lead to film production in the end. Shahriar, with his intrinsic genius and by using the movie concepts like: vision transfer, cut, flickering cut, parallel cut, jump, post view, preview, sound manifestations, vertical and horizontal twist of the camera movements, suitable cuts, light contrast, amid cuts, and open, shut, big, remote, general and close icons, editing the intelligent narration and laying out perfect sequences of the film on the view of spectators has been able to compose a perfect poetry in “The Fate of Love”.
We’ve tried to analyze it by the narrative edition from the view point of film making. The result of the study shows that Shahriar had profound appreciation of the movie arts and his poetry is of highest capabilities of being made into a film.

 
Keyword(s): VISUAL TRANSFER, CUT (SECTION), COMPILATION, SCENE, ICON
 
References: 
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