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Paper Information

Journal:   FALSAFEH (THE IRANIAN JOURNAL OF PHILOSOPHY)   SPRING-SUMMER 2010 , Volume 38 , Number 1; Page(s) 127 To 151.
 
Paper: 

IMAGE CONSCIOUSNESS: FROM PHENOMENOLOGY TO MOVIES

 
 
Author(s):  AYLMER SEBASTIEN*
 
* PENNSILVANIA ART CENTER, USA
 
Abstract: 

One of the dualisms dominating recent debates in the philosophy of mind and epistemology concerns internalism and externalism. The former posits a subject immersed in a mental life that functions as the source of truth about the world. The latter suggests that the subject’s knowledge is largely dependent on environmental and physical factors where the truth about reality is to be found, rather than in the subject’s mind.
However, experiences of art and film indicate ways to move beyond this impasse, especially when examined in the light of Husserl and Sartre’s phenomenology. These papers deals with aspects of this dualism and examine the image consciousness theory in Husserl and sartre’s phenomenology with regards to Hitchcock and Bunuel’s movies.

 
Keyword(s): PHENOMENOLOGY, IMAGE CONSCIOUSNESS, HUSSERL, SARTRE, HITCHCOCK AND BUNUEL
 
 
References: 
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Cite:
APA: Copy

AYLMER, S. (2010). IMAGE CONSCIOUSNESS: FROM PHENOMENOLOGY TO MOVIES. FALSAFEH (THE IRANIAN JOURNAL OF PHILOSOPHY), 38(1), 127-151. https://www.sid.ir/en/journal/ViewPaper.aspx?id=271951



Vancouver: Copy

AYLMER SEBASTIEN. IMAGE CONSCIOUSNESS: FROM PHENOMENOLOGY TO MOVIES. FALSAFEH (THE IRANIAN JOURNAL OF PHILOSOPHY). 2010 [cited 2021April15];38(1):127-151. Available from: https://www.sid.ir/en/journal/ViewPaper.aspx?id=271951



IEEE: Copy

AYLMER, S., 2010. IMAGE CONSCIOUSNESS: FROM PHENOMENOLOGY TO MOVIES. FALSAFEH (THE IRANIAN JOURNAL OF PHILOSOPHY), [online] 38(1), pp.127-151. Available at: <https://www.sid.ir/en/journal/ViewPaper.aspx?id=271951>.



 
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