Paper Information

Journal:   HONAR-HA-YE-ZIBA (HONAR-HA-YE-TAJASSOMI)   SPRING 2010 , Volume - , Number 41; Page(s) 39 To 52.
 
Paper: 

SAQAKHANEH MOVEMENT; DISCLOSING AND UNVEIL OF AESTHETIC EXPERIENCE CONTRIVANCE AND CONTRAPTION OF IRANIAN TRADITIONAL, ETHNIC AND ANCIENT ART

 
 
Author(s):  EBRAHIMI NAGHANI H.*
 
* SHAHRE-KORD UNIVERSITY, COLLEGE OF FINE ARTS, UNIVERSITY OF TEHRAN, TEHRAN, IRAN
 
Abstract: 

Saqakhaneh movement is considered as one of the first modern art movements in the field of visual arts in Iran. This art movement along with a modern attitude towards art has had a Critical look at artistic heritage of Iran. This approach sought to create Iranian modernity within the Iranian tradition. "Saqakhaneh” was a title that Karim Emami [journalists and art critics - twenty-and thirty decades of literary] was given to works of these artists. As its title said; at first was merely a tool for learning and what distinguishes a person or persons making and other things. Many artists of Saqakhaneh movement were educated in Tehran University School of Visual Arts. They were familiar with standard art world. They had studied aesthetics as an academic issue. Artists of this movement have consciously searched its artistic heritage and have offered aesthetic experiences in the new structure of that era. Iranian Ethnic and traditional arts include many features from an aesthetic aspect. These features are close and near with many components of modern art. Many of these features have discovered and revived by Saqakhaneh artists in the text of new works. Many critics have assessed Circumstantiality artistic Saqakhaneh movements as Identity-orientedand, passive and advertising and it has Assign as only imported art and without roots. Usage of visual elements and visual effects of ancient, ethnic and traditional works in Saqakhaneh effects is approved by everyone. But in this regard, the way of attention and looking and applying these effects is very important. Identity and its role in recent decades have a profound impact on art criticism especially it has no role in developing and recognizing the aesthetic standards. So to have recourse to the past heritages is evaluated as an imitative trait and a shallow outlook. This research with criticism method of saqakhaneh movement aesthetic has dominated real values of their art works under influence insufficient and shallow inclined toward to dogmatic Identity integration. Therefore, efforts to introduce these artists to note how persistent artistic to past heritages that is more action, "the discovery and opening" aesthetic ways and measures both The search for aesthetic values of art and the attention he paid to the structures Immortals "Iranian Art". Also Review by "pure form and essence of art forms" of their works that is hided into "aesthetic experience" opinion artists. Artistic values and aesthetic experiences of Saqakhaneh movement have had a great effect on the Iranian process of visual arts in recent years. This effect has been detectable in the samples and species diversity of art and artists works in different districts. Saqakhaneh is The Art which is rooted in the ancient heritage and their patterns so will stay eternal and lasting. Arts like that will live at all ages. It seems that Parviz Tanavoli has played a determining role in this movement, so on this research has more emphasis on his works.

 
Keyword(s): SAQAKHANEH MOVEMENT, ARTISTIC HERITAGE, MEASURES, AESTHETICS, AESTHETIC EXPERIENCE CONTRIVANCE, TANAVOLI
 
References: 
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