Paper Information

Journal:   HONAR-HA-YE-ZIBA   SUMMER 2007 , Volume - , Number 30; Page(s) 107 To 118.
 
Paper: 

ANALYZING THE ROLE OF INTERIOR ARCHITECTURE IN MANIFESTATION OF THE MEANING IN SCIENCE FICTION FILM

 
 
Author(s):  MOKHTABAD EMRAEI S.M.*, PANAHI SIAMAK
 
* DEPARTMENT OF ART STUDIES, FACULTY OF ART, UNIVERSITY OF TARBIAT MODARRES, TEHRAN, IRAN
 
Abstract: 

This study has concentrated on state of transforming the concept and dream to interior architectural spaces and the role of that in manifestation of the meaning in science fiction film. The theoretical framework of essay is designing architecture theory base on concept which is related to the state of transforming the idea to the form. In this study the concepts and hypothetical approach of this theory are analyzed the designing of interior architecture of film and its elements. Architectural spaces has influenced in all artistic genres and styles of film. Architecture via semiotic and semantic way has influenced on characteristic, identity, time and place sense, creation and manifestation of appropriate space for specific locations, passing of historical palimpsest, psycho sense and so on. This study has made an effort to indicate how architectural designs lead to film production design and for this purpose spontaneously, we analyze the genealogy of space creation in film, the meaning of imagination in all period of history, determination of mise-en-scene and film production design and at the end, resentation and analyzing of war room in Dr Strangelove (1964) by Stanley Kubrick, which had designed by Ken Adam, the ost famous film production design in the world and the war room of Dr Strangelove as what ever Steven Spielberg mentioned, has known as the most important and out standing production design of the world. The research methods in this study are analytic and descriptive base on visual semiotics and combination of qualitative (from case study to theory) and quantitative (from theory to case study) research. The conclusion of the study is that the interior architecture is formed and created base on concept and dream and the characteristic elements of interior architecture spaces have important role in manifestation of the meaning and spiritual concepts. The interior architects with perfect and exact designing of mise-en-scene space, using text, prop, light, color and other architectural elements would design scene space in that way which manifest concepts and would have profound effect on presentation of thought. These kind of transforming from subject to object, from concept to referent and from mental and consciousness world to concrete and physical world have complicated process which is becoming more and more complicated in cinema and architecture cause they have eventual dynamic spaces. The world famous film directors have exact impact of architectural semiotic on manifestation of concepts in their films and with architectural consultant they would do it increasingly perfect and on the other hand the outstanding architects of the world have exact impact of architectural semiotic on manifestation of concepts in their works and with film consultant they would do it increasingly perfect. Architects would know semiotic and semantic way of designing on characteristic, identity, time and place sense in their projects.

 
Keyword(s): CINEMA, INTERIOR ARCHITECTURE, FILM PRODUCTION DESIGN, MISE-EN-SCENE, CONCEPT, KEN ADAM
 
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