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Paper Information

Journal:   PERSIAN LITERATURE QUARTERLY   WINTER 2011 , Volume 7 , Number 28; Page(s) 73 To 106.
 
Paper: 

IMAGE ELOQUENCE IN BAHAR’S POETRY

 
 
Author(s):  TAJLIL J.*, BIGLAR M.T.
 
* 
 
Abstract: 
An aesthetic aspect of Mohammad Taqi Bahar’s poetry is its images. In creating images, Bahar’s creative mind has combined imagination and inspiration with verbal skills in such a way that his carnal and affective states are made manifest in the form of simile and metaphor. He creates various innovative, sense-to-sense, and eloquent images.
The tenor of the simile is often the poet himself, the beloved, and sometimes abstract concepts; objects and natural elements are often used for the vehicle of the simile. His metaphors are mostly of the figurative type. The vehicle of the constructive elements of his metaphors is often nature and objects; the tenor of his metaphor is mostly the poet himself.
This article tries to formally analyze the origins of eloquence for these artistic and sometimes creative images and to provide a content analysis of these image creating elements.
 
Keyword(s): IMAGE, SIMILE, METAPHOR, IMAGINATION, ARTISTIC ORIGIN, INNOVATION
 
 
References: 
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Citations: 
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+ Click to Cite.
APA: Copy

TAJLIL, J., & BIGLAR, M. (2011). IMAGE ELOQUENCE IN BAHAR’S POETRY. PERSIAN LITERATURE QUARTERLY, 7(28), 73-106. https://www.sid.ir/en/journal/ViewPaper.aspx?id=205317



Vancouver: Copy

TAJLIL J., BIGLAR M.T.. IMAGE ELOQUENCE IN BAHAR’S POETRY. PERSIAN LITERATURE QUARTERLY. 2011 [cited 2021June21];7(28):73-106. Available from: https://www.sid.ir/en/journal/ViewPaper.aspx?id=205317



IEEE: Copy

TAJLIL, J., BIGLAR, M., 2011. IMAGE ELOQUENCE IN BAHAR’S POETRY. PERSIAN LITERATURE QUARTERLY, [online] 7(28), pp.73-106. Available: https://www.sid.ir/en/journal/ViewPaper.aspx?id=205317.



 
 
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